Angela Lansbury as the monstrous mother in "The Manchurian Candidate." With Laurence Harvey as her son, who was just three years younger than Lansbury! |
The Manchurian Candidate
was considered a provocative political shocker when first released November 24,
1962. Like A Face in the Crowd five years
before and Network 14 years after, The Manchurian Candidate, while applauded
as audacious, was also considered a farfetched political scenario. However, the
new political reality emerged swiftly, when the controversial Kennedy
assassination shattered the United States on November 22, 1963. From then on, assassinations,
unending scandals, and the ever-polarizing politics of the last six decades have left
this country cynical.
Larry and Frank pass the time by playing a little solitaire. |
Aside
from satirical targets that are current as ever—campaign mudslinging, faux-patriotism,
commie-baiting, politicized torture, controlled-pawn candidates, strange political
bedfellows—The Manchurian Candidate
remains relevant because of its lean storytelling and almost documentary style
black and white filming. For that, credit goes to television-trained director John
Frankenheimer, faithfully following Richard Condon’s satiric and prophetic
novel.
While
The Manchurian Candidate works as a suspense
melodrama or political drama, it’s really a black comedy, though the humor
admittedly is the gallows variety. It’s no accident that George Axelrod, famed
for sexy comedies like The Seven Year
Itch, wrote the script. But then, some people don’t get the nightmare humor
of Whatever Happened to Baby Jane? or
Who’s Afraid of Virginia Woolf?,
either.
Director John Frankenheimer in '62. |
The
plot of The Manchurian Candidate has
many truly twisted turns, which I’ll try not to reveal too much about, for
those who haven’t seen this cult classic turned true film classic.
During
the Korean War, a group of American soldiers are captured by Soviets and taken
to Manchuria. Let’s just say that part of their stay at the Hotel Manchuria includes
free brainwashing. Cut to the film’s present—very early ‘60s USA—the soldiers who
returned are experiencing horrifying dreams and display inexplicable behavior.
Major Marco Bennett, deeply affected, is determined to figure out why these
nightmares are occurring and how it is tied to Staff Sergeant Raymond Shaw. He
is a fellow soldier that the regiment feels compelled to automatically express
admiration for, though he was universally despised by them.
Raymond
is a priggish rich kid, determined to break away from his mother, Eleanor Shaw
Iselin, and her political tool of a husband, Johnny Iselin. Eleanor’s ambition
is to get Johnny on the ticket as the vice-president nominee at that summer’s
presidential convention. The political wife from hell is willing to use any
means necessary, including using her son’s war hero status, and oh, so much
more. The film is a hair-raising race for Ben Marco to get to the bottom of
what happened in Manchuria and what it is currently doing to Raymond Shaw.
Despite appearances, Frank Sinatra's aces as Bennett Marco. |
That’s not to say there isn’t
some fun “inside” Sinatra stuff in The
Manchurian Candidate: There’s a scene where brainwashed Raymond is “set off”
in a bar called Jilly’s, as in Jilly Rizzo, a friend of Frank’s; that swanky‘60s plane the Iselins campaign
in belonged to Sinatra. This was also the period when Frank was cultivating a
“serious” side to offset his swinger image. So, when Ben Marco can’t sleep,
he’s reading classic tomes the size of cement blocks. Sinatra also played a
“serious” writer in Some Came Running,
with the female lead exclaiming over his “exciting talent.” I’m sure many women
did!
I’ve
always been confounded by Laurence Harvey. Off-screen, he was a boy toy to aging
showbiz folk in his youth, the life of the party, and someone who didn’t seem
to take acting too seriously. On-screen, however, Harvey was always cast as the
heel or uptight jerk. In movie after movie, Laurence was always cold, snippy, humorless,
stiff, wooden, glowering—I’m running out of adjectives—but let’s just say Larry
made Charlton Heston look like Jerry Lewis in the cut-up department. As the
boorish Raymond Shaw turned brainwashed, robotic assassin, Laurence Harvey is
perfectly cast. This is the best role Harvey ever had. The character of Raymond
is truly pathetic, with the hand he has literally been dealt, crushed by an overbearing
mother at every turn. Harvey conveys this in the movie’s quiet moments quite
well. Off-screen, Harvey was one of the most disliked actors in Hollywood, for
being very difficult to work with. But Sinatra, like Elizabeth Taylor, always
stood up for the underdog. Sinatra usually said
it his way, too: direct, if politically incorrect. When Frank’s personal valet
complained, saying that the actor kept hitting on him, Sinatra replied, “Larry
has the handicaps of being a homo, a Jew, and a Polack, so people should go
easy on him.” Awww, Frank!
Remember this actor from Hawaii Five-0? Scary here, too! |
John
McGiver, another great familiar face, seemed to be in every TV show and movie
of my childhood. Here, he plays Thomas Jordan, the Iselins’ political nemesis.
McGiver is both slyly humorous, with that great, distinctive voice of his, and also
the voice of decency, as he denounces the sleazy Iselins.
Leslie
Parrish, an unfamiliar face to me, was a popular starlet in the early ‘60s. She
is appealing as Jocelyn Jordan, Thomas’ daughter and Raymond’s true love.
Parrish offers some rays of romantic light when Raymond rediscovers her, and
some heartfelt tragedy with her fate.
In
typical Hollywood old-school style, Henry Silva, who is Italian and Spanish,
was cast as Chunjin, a North Korean agent! Equally as dicey is Silva’s infamous
martial arts scene with Sinatra’s Ben, busting up Raymond Shaw’s apartment in
the process. Allegedly, they did their own stunts, but I’m not totally
convinced. Still, as the commie agent posing as Raymond’s manservant, Silva is
suitably unnerving with his intense gaze and soft-spoken voice. And Khigh
Dheigh, famous as one of Hawaii Five-O’s
best villains, is creepily humorous as the puppet master villain, Dr. Yen Lo.
Frank Sinatra and Janet Leigh having some very awkward first date chat! |
Janet
Leigh is another breath of fresh air in this hot house atmosphere of villains
and diabolical corruption. As Rosie, Leigh comes out of nowhere, to first offer
Ben Marco comfort, and then falls in love with him at warp-speed. Their first
scene together on a train is infamous for its bizarre dialogue. Some viewers
believe that their conversation is so stilted as to be coded, and that Leigh’s
Josie is an agent for the U.S., assigned to keep tabs on Marco. That doesn’t
pan out as the film progresses, but it’s an interesting theory. My thought is
that since movie dramas must always have a romantic interest, director Frankenheimer
turned the classic “meet-cute” of the hero and leading lady on its ear.
Whatever the case, Sinatra and Leigh have a warm rapport that off-sets the movie’s
cool toughness. I once watched TCM’s Robert Osborne interview Janet Leigh.
Janet recalled with great emotion, despite decades that had passed, how
then-husband Tony Curtis announced that he was leaving her, the morning before
she filmed the train scene. Leigh said that Frank was great, gently guiding her
through that extended, dramatically tricky scene. When I watch Janet Leigh in
movies from this era—warm, intelligent, no-nonsense, talented, lovely, with
that crisp, unique voice—I wonder why the hell Hitchcock didn’t use her again
after Psycho.
James Gregory as the doltish politician & Angela Lansbury as the scheming wife. Why, that's never happened in real life! |
I
saved the best for last: the greatest performance in The Manchurian Candidate is Angela Lansbury as Eleanor Shaw Iselin.
As the ultimate political wife, Lansbury got one of the great supporting
actress roles ever—and Angela gives it everything she’s got. People who think
of Angela Lansbury as kindly, owl-like Jessica Fletcher on Murder, She Wrote or Teapot in Disney’s Beauty and the Beast will be in for a surprise. Lansbury was only
37 when she played Laurence Harvey’s monster mommie—and only three years older
than Larry! Movie and theater critics have always lamented that Lansbury should
have been a big movie star, but frankly, I can see why she didn’t. Do I smell
the Internet torches being lit? Here’s the deal: Angela always looked older and
was not conventionally beautiful in golden age Hollywood, where youth and
beauty were all. And is showbiz really all that different today? Lansbury
always reminded me of Bette Davis, who fought a similar casting bias by sheer
strength of personality and will. Angie was often cast older—she played Hedy
Lamarr’s older sister in Samson and Delilah and had just played Elvis’ mother in Blue Hawaii the year before. Lansbury most definitely looks matronly
and motherly in Manchurian, especially
next to whippet-lean Laurence Harvey.
Lansbury checked her ego at the door when she played Larry's mother. |
I’ve
always been fascinated how women in Hollywood were cast in terms of age. By all
rights, an older actress like Bette Davis would have been awesome as Harvey’s
awful mother. But the surprise factor would have been nil, since Davis was
renowned for playing villains. Sinatra suggested Lucille Ball—a fascinating
thought, since Ball was domineering off-camera. But audiences only knew her as
lovable Lucy, and such casting could have blown up in the Manchurian makers’ faces. Frankenheimer had already worked with
Lansbury in All Fall Down and decided
Angela’s acting would carry her.
The
rest is showbiz history, as Lansbury gave an instantly legendary supporting
actress performance. Angela surely would have won an Oscar that year, but like
Bette Davis, was shut out by a performance from the screen version of The Miracle Worker—with Lansbury, it was
for Patty Duke’s remarkable turn as young Helen Keller.
Angela Lansbury was 37 when she starred in 'The Manchurian Candidate.' |
Lansbury
is quoted as saying The Manchurian
Candidate is the most important film in her career. Angela is brilliant,
and like Bette, was great at being both villainous, yet riveting. As Eleanor,
the power behind the politician, Angela Lansbury is ambitious, crass, loud,
domineering, funny, and as the master plan is revealed, utterly chilling.
For
me, The Manchurian Candidate is one
of the best films of the 1960s. I’ve seen it at least a dozen times, always
amazed at how this dark satire predicted our nation’s political future. Or
perhaps The Manchurian Candidate just pulled back the curtain
on what was already happening in the Cold War political scene. Either way, The Manchurian Candidate paints a scary
picture, in the guise of satire, of what politicians will do for power.
Frank, Janet, Larry: The stars of 'The Manchurian Candidate.' |
FYI: I put all the movie overflow on my public FB movie page.
Check it out & join! https://www.facebook.com/groups/178488909366865/