Showing posts with label Gina Lollobrigida. Show all posts
Showing posts with label Gina Lollobrigida. Show all posts

Monday, March 23, 2026

Gina Lollobrigida an Unhappy Hooker in ‘Go Naked in the World’ 1961

 

In 1961's "Go Naked in the World, " Gina Lollobrigida's working girl
can't even go to Acapulco without being recognized!


MGM's Go Naked in the World is one of those mid-century movie soap operas that have one foot in the fuddy-duddy '50s and the other in the sexy '60s. And the disparity shows in this schizophrenic story. The 1961 slick sudser stars Gina Lollobrigida as high class call girl Julie and Tony Franciosa as returning GI Nick Stratton, who's gaga for Lollo. Standing in the way is his overbearing father, Pete Stratton, overplayed to the hilt by Ernest Borgnine.

Sizzling romance, followed by gloomy guilt, is the wash, rinse, repeat formula
 of 1961's "Go Naked in the World." With Gina Lollobrigida & Tony Franciosa.

If this plot seems vaguely familiar, MGM had just released BUtterfield 8 the year before, with Elizabeth Taylor as a high class girl who has an ill-fated love affair with one of her admirers. Later in '61, Metro would also release Ada, starring Susan Hayward, as a working class hooker who propels her hubby to congress—doesn’t sound so absurd today, does it?! 

If classy MGM seemed preoccupied with prostitutes during this time, legend has it when Elizabeth Taylor was on the hook for one last film they offered her all three roles in succession to cash in on her then scandalous image. She grudgingly settled on BUtterfield 8, which became their highest grossing film of the year. The other movies were not hits. Frankly, all three are just entertaining trash, but Taylor was at her zenith, and the public flocked to see her sinner soap opera.

Gina Lollobrigida as a hot & haughty call girl, 1961's "Go Naked in the World."

Like Taylor's fiery call girl, Gina's Julie is similarly independent, and also brought low by love in Go Naked in the World. They both meet smooth-talking men, fall head over stiletto heels, yet feel tortured by their sinful lifestyles, all while slinking around in Helen Rose cocktail dresses. And yes, to pay for their sins, these ladies of the evening gowns pay the ultimate price. And the men who loved them get off the hook scot-free save for some noble tears.

Tony Franciosa & Gina Lollobrigida flirt/fight, 1961's "Go Naked in the World."

In the case of Go Naked in the World, the sinful set up seems silly from the get-go. Franciosa's returning soldier brags that he knows how to make love in 12 languages, yet doesn't recognize a call girl when he sees one. Tony is made out to be boyish and his Nick is constantly referred to as a "kid." From the same name novel, Nick’s 23, but Tony's 33 here, with Gina, who was 34. So his naiveté seems false. He first sees Julie, all dolled up at a cocktail bar with an older man, who suddenly must stand her up. Later, at her apartment, Nick comments that her phone is always ringing and that her apartment seems impersonal, with an empty fridge, save for champagne and olives. Clue, she's not a librarian! On Julie’s part, she knows that his father was one of her former clients, not to mention all his business pals! With Sonny Boy instantly falling in love, why even go there? Romance and regret ensue, natch.

Tony Franciosa's soldier thinks working girl Gina Lollobrigida's swanky pad
 is sterile in 1961's "Go Naked in the World. "

Aside from Tony being too old as the young swain, he's also only 10 years younger than Borgnine. As his pop, Ernie’s the Greek buffoon/tycoon, forever yelling that he's an old dying man. He clutches his hollering heart attack more than Fred Sanford!

Ernest Borgnine's Greek papa has more heart attacks than Fred Sanford,
in 1961's "Go Naked in the World."

The moment we see Ernie's Pete, he's waiting for Nick in his hotel room, irate he hasn't returned immediately to the family home. The minute Pete sees his son, he yells louder than Seinfeld's Frank Costanza! Bellowing, berating, belittling—all because he wants what’s best for son Nick. The fatherly demonstrations of love to his family have to be seen to be believed! Ernest's carrying on like an old man at 43 is especially absurd.

Tony Franciosa as prodigal son Nick is exhausted by his father's overbearing
 personality, in 1961's "Go Naked in the World."

Tony's Nick repeatedly proclaims that he wants to be his own man, but he's always hitting up his dad for dough, or sponging off Julie. The one truly good scene in this sleazy soap is when Ernie makes his son come out on a construction beam 20 stories high for his handout. 

Tony Franciosa's Nick has to work hard for his handout from father Pete
 (Ernest Borgnine) in 1961's "Go Naked in the World."

Tony is head over heels with Gina after one night—typical romantic movie scenario. He naively brings her to his parents' anniversary party, where she is all dolled up and sticking out like a sore thumb. Well, Pops and all his aging buddies recognize her! When Nick has his eyes opened, he goes through the typical wronged movie male tropes, capped by flinging money in Julie’s face. From then on, it's a cycle of recriminations, reconciling, and regret. Their affair becomes exhausting!

What's a sordid soap opera if the jealous lover doesn't throw money
in the face of his working girl, in 1961's "Go Naked in the World."

The cast are given thankless roles, with illogical plot turns, and truly absurd dialogue. While Ernest Borgnine is a great actor and has some touching scenes, he is encouraged to go big, and certainly does!

Ernest Borgnine goes full tilt as a Greek tycoon, in '61's "Go Naked in the World."

Tony Franciosa, while handsome and capable, played the weak charmer once too often and I think it hurt his film career. I always found him glib and affected, with his line delivery reminiscent of a smarmy Tony Curtis.

Tony Franciosa as the louche son, should put his "skills" to good use,
b
ut lives off his rich dad & working girl, in 1961's "Go Naked in the World."

Gina Lollobrigida comes off best here. While Gina never had Sophia Loren's natural fluid emotional quality, she does well here, for the most part. Like Elizabeth's call girl Gloria, Gina's Julie is the story's whipping post for the phony morality after wallowing in dirty soap suds. And like Gloria, Julie must pay for her sins by death.

An intense scene when Gina Lollobrigida's Julie instigates her lover's
 jealousy and a subsequent gang rape, in 1961's "Go Naked in the World." 

At the finale, Julie debases herself in a dive bar to drive Nick away, and on the way home from her walk of shame, takes a plain white dress she finds on a clothes line. Once home, with makeup and hairdo washed away, garbed in a white death shroud, Julie jumps to her death. Gina does a good job of giving Julie empathy.

Gina Lollobrigida's final scene, where she comes clean of her prostitute
 persona and commits suicide. 1961's "Go Naked in the World. "

This was one of screenwriter Ranald MacDougall's few directorial efforts. He is not in good form at either in this campy outing. The storytelling in plotting and dialogue are so bad that Go Naked in the World plays like a SCTV spoof. The film is adapted from a novel, by Tom T. Chamales, who also wrote Never So Few, which later starred Frank Sinatra and Gina. Milton R. Krasner's cinematography is lovely, the MGM glam squad makes Gina look like a million, and Lollo's in very fine form in Helen Rose's swanky creations. My guilty pleasure is Julie 's plush pad, complete with a portrait of Gina that looks like a Keane!

Working girl Gina Lollobrigida's phone number is busier than "BUtterfield 8."
 F
rom 1961's "Go Naked in the World  "

Go Naked in the World is fun if you're in the mood for camp. The dialogue must be heard to be believed. Maybe better to watch on mute!

Next on Jerry Springer!: "My Son's Dating a Prostitute and Brought Her
to Our Wedding Anniversary!" 1961's "Go Naked in the World."


Gina Lollobrigida was 40 & fab in the 1968 comedy Buona Sera, Mrs. Campbell. Gina's fiery, funny, & sexy as the mother of a daughter about to be married, & has 3 long ago flings who each think they are the girl's father. Sound familiar?! My look at Gina as Mrs. Campbell here: 

https://ricksrealreel.blogspot.com/2021/11/buoyant-buona-sera-mrs-campbell-1968.html

Mrs. Campbell!

 

Thursday, November 4, 2021

Buoyant “Buona Sera, Mrs. Campbell” 1968

 

Mamma Mia! Gina Lollobrigida is an unwed mother with three possible fathers!
The diverse daddy candidates are Telly Savalas, Peter Lawford, and Phil Silvers.


As far as ‘60s sex comedies go, Buona Sera, Mrs. Campbell has the advantage of getting made in the latter half of ‘60s Hollywood. Most early ‘60s sex farces give me whiplash, with their storyline contortions to appease the censors. Made after the groundbreaking The Graduate, unwed mother Mrs. Campbell is not shamed or contrite over her youthful indiscretions that set the story in motion. This in turn makes Buona Sera, Mrs. Campbell less dated and more fun than most ‘60s bedroom farces.

Gina Lollobrigida is Carla Campbell, the Italian mama whose life's got a lot of drama!

While Buona Sera, Mrs. Campbell is no cinema classic like The Graduate, the film is bright, frothy fun. Longtime Bob Hope comedy writer Melvin Frank writes and directs with a sure hand for character-driven laughs. Perhaps Mrs. Campbell is not deep, nor is it dumb, either.

The pithy plot on a platter: 20 years ago, near the end of WWII, young Carla has passionate—and passing—flings with three soldiers. She soon finds herself pregnant; Carla no idea which one is the actual father. So, she writes to them with her tale of woe, asking for aid. All three offer to help, and being most pragmatic, the pregnant Carla starts collecting checks from the trio—for twenty years! And now, as the village plans to honor the American soldiers, Carla’s crew wants a reunion. This is not in Carla’s grand plan, and sets her in a panic. Does this sound familiar? Musical fans should instantly recognize the plot, though the creator of Mamma Mia! denies taking “inspiration” from this movie’s story. Of course, or the creator would have to pay damages through the nose if there was any admission.

Gina Lollobrigida was 40 when she played Carla.
Italian movie divas sure aged differently from their American counterparts!

Aside from the clever plot, bubbly score, clever plot, and great cast, the main draw is most delicious: Gina Lollobrigida as unwed mama Carla. Gina is gorgeous at 40 and has a fine flair for antic comedy. Lollo also is in fine form and looks lovely in her late ‘60s frocks.

Telly Savalas & Lee Grant are raucously funny as the New Jersey couple.

Then there’s that great cast as the three couples visiting the Italian village: exasperated Phil Silvers and an especially hilarious Shelley Winters; Telly Savalas and Lee Grant are a brazen hoot as the Jersey couple from hell; and Peter Lawford and Dina Merrill-look-alike Marion Moses claw away as the brittle British couple.

Phil Silvers and Shelley Winters are the couple with a bevy of boys.
Winters is in full-Shelley mode here and is quite funny.
Marian Moses & Peter Lawford are the brittle British couple in "Buona Sera, Mrs. Campbell."

The rest of the cast is just as delightful. Janet Margolin is simply gorgeous and warmly charming as Carla’s daughter Gia. Naomi Stevens as the maid Rosa reacts hilariously to the proceedings, a comedy pro from The Apartment (as the neighbor doc’s wife) and the cat-loving secretary of Valley of the Dolls, plus Sister Teresa from The Flying Nun. Philippe Leroy is one fine, feisty Italian lover as Vittorio, the hunky squeeze of Gina’s Carla.

Janet Margolin is appealing and lovely as Gina's daughter Gia in "Buona Sera, Mrs. Campbell."

Italian star Phillipe Leroy is Gina's hunky boyfriend.

An interesting footnote: Of this big cast, most have since passed on. But three of the stars enjoy longevity as of Nov. 1, 2021: Gina Lollobrigida turned 94 July 4th; Lee Grant is 90-something Oct.31; and Philippe Leroy turned 91 on Oct. 15. Cheers!

If you’re in need of bubbly comfort cinema, may I suggest the lovely Mrs. Campbell?

"Buona Sera, Mrs. Campbell" benefits from a bright script, 
put over by an stellar group of actors. Enjoy!

For the backstory on Lee Grant's '60s comeback, read here: 

https://ricksrealreel.blogspot.com/2021/04/lee-grants-great-comeback-peyton-place.html


FYI: I put all the movie overflow on my public FB  movie page. 

Check it out & join!  https://www.facebook.com/groups/178488909366865/