RICK'S REAL/REEL LIFE: The Razor's Edge

Thursday, May 4, 2023

Fox’s Faithful Rendition of ‘The Razor’s Edge’ 1946

Gene Tierney & Tyrone Power are the well-cast leads in the 1946 all-star version
of "The Razor's Edge."

The Razor’s Edge from 1946 is remarkably faithful to W. Somerset Maugham’s best-seller, with many key passages of dialogue lifted directly from the book. While movie adaptations still run roughshod over their source novels, back in the golden era, studios were even cavalier with movie versions. The smart movie makers knew to adhere to the story as much as possible, as David Selznick did with Gone with the Wind and Rebecca.

Studio head Darryl F. Zanuck personally oversaw the production of 1946's
"The Razor's Edge."

20^th Century Fox head honcho Darryl F. Zanuck was intrigued by the public’s response to W. Somerset Maugham’s spiritual best-seller. The autobiographical novel’s hero is questioning life after WWI and no doubt mirrored many readers’ feelings after WWII. Star Tyrone Power, having just served in the war, felt a similar chord regarding this work.

Lovers Isabel & Larry can't reconcile their opposite worlds in "The Razor's Edge."

Reading the source novel of The Razor’s Edge, one can see how well Fox cast the film. Larry Darrell is described as dark, slim, with incredibly striking dark eyes. Rich girl Isabel, once she loses her youthful baby fat, is described as sleek and sensual with striking hazel eyes, like Gene Tierney. The stylish society snob, Elliot Templeton, is a great role for Clifton Webb. And tragic Sophie, who’s described as attractive but not beautiful, is fiercely played by young Anne Baxter. Her volatile character is played just as she’s described in the novel. Herbert Marshall makes a most urbane author as M. Somerset Maugham. The only dud is John Payne as Isabel’s “regular guy” husband, Gray. While pleasant enough in musicals and comedies, Payne’s out of his league here.

Tyrone Power's Larry Darrell, both fresh out of the service, in "The Razor's Edge."

The Razor’s Edge was filmed April through July of '46. Power went into the production right out of the service and turned 32 during filming on May 5. Tyrone is at the peak of his male beauty, charm and sensitivity, and with the gravity of having just served in the war. While Power’s seeking Larry Darrell is the mouth piece for the film’s spiritual philosophies, Tyrone is much more natural and convincing than when Gary Cooper looked most uncomfortable reciting Ayn Rand’s beliefs in 1949’s The Fountainhead. When one compares Power to MGM’s robotic Robert Taylor, Tyrone had a genuine quality that complemented his talents and great looks. Director Edmund Goulding also guided Ty through another challenging role, in 1947’s Nightmare Alley.

Tyrone Power as Larry Darrell, after he's sought spiritual enlightenment.

Gene Tierney was 25 during filming and Anne Baxter turned 23 just two days after Power's birthday. It is incredible how actresses back then seemed more womanly, while so young. Tierney is incredibly sophisticated as Isabel and Baxter looks older than her years as working class girl Sophie, who hits the skids after suffering great personal tragedy.

Gene Tierney & Anne Baxter as younger Isabel & Sophie, in "The Razor's Edge."

Gene Tierney was not a highly praised actress in her time. And Gene got some sharp critical jabs in The Razor’s Edge, but I think Tierney's terrific as Isabel. And it's a well-rounded character, not one-dimensional and softened. Gene plays the bright and charming, but self-centered rich girl pitch perfect.

Gene Tierney wows as Isabel, on her last night with Larry, in "The Razor's Edge."

Clifton Webb, while he gets to be the acerbic scene-stealer in a number of scenes, per usual, he also gets to be generous and good-humored. Webb’s deathbed scene surprised me in his touching emotionalism, as the social snob who sobbingly acknowledges that he’s been forgotten by his in-crowd.

Clifton Webb is genuinely moving in his final scene from "The Razor's Edge."

Herbert Marshall is empathetic, but with dry humor, as author Maugham. Marshall had quite an association with screen works of W. Somerset Maugham, appearing in Garbo’s The Painted Veil, with Bette Davis in The Letter, and George Sanders in The Moon and Sixpence.

Herbert Marshall is W. Somerset Maugham, the author of "The Razor's Edge."

The Razor’s Edge is an intelligent, adult adaptation, though tweaked somewhat to be studio movie-friendly. Zanuck and those involved in the production put great effort into this film. Edmund Goulding, who directed literate fare such as Grand Hotel, does a great job balancing movie style without letting it take over the film’s story. Since the movie was filmed immediately after WWII, location shooting was out of the question. The production offers a convincing depiction of Paris and other locales, without being obvious—like plunking a landscape of the Eiffel Tower outside of Larry’s apartment window!

Anne Baxter is startling as Sophie, who can't overcome tragedy in "The Razor's Edge."

It’s interesting to compare Power in The Razor's Edge with The Sun Also Rises, two literary Darryl F. Zanuck super productions just over a decade apart. But the difference between Power then and later is a shock. It's really a shame that they didn't film Sun right after Razor.

Gene Tierney's Isabel later looks at Anne Baxter's Sophie as an adversary in 1946's
"The Razor's Edge."

The comparison to The Sun Also Rises is similar in their lead characters. Both male leads have suffered in WWI, leaving them at odds with the tantalizing women they love.

Also, there’s great similarity in characters between The Razor’s Edge and The Great Gatsby: lone wolfs Larry and Jay; society belles Isabel and Daisy; tragic Sophie and Myrtle; Gray as a nicer Tom Buchanan; and Maugham as the outsider observer, like Nick Carraway. They're variations of certain character archetypes. And wouldn't Tyrone and Gene have made a marvelous Jay and Daisy, as well? Finally, Tierney’s Isabel has a bit of Scarlett O’ Hara in her makeup, willing to be tough as a means to an end. And Power’s Larry is a bit of Rhett and Ashley!

Larry’s transformation is very detailed in the book version of The Razor’s Edge, but the movie does a skillful job of skimming his spiritual change. Both the novel and the ’46 adaptation of The Razor’s Edge are very worthwhile, indeed.