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| Cary Grant & Eva Marie Saint get a "rush" of a cliffhanger in this Alfred Hitchcock classic. |
The Alfred Hitchcock catch me
if you can classic, North by Northwest,
was the film forerunner to the modern summer blockbuster.
North by Northwest was a distinctly commercial venture after Vertigo. Hitchcock had received some criticism
in the ‘50s as too smoothly commercial, with his Grace Kelly movies, The Man Who Knew Too Much, and 1959’s North by Northwest. 1960’s Psycho would be his answer to THAT
criticism!
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| Cary Grant spends the entire time in 'North By Northwest' on the run! |
Here’s the complicated
plot of NBNW in a nutshell:
Devil-may-care ad man Roger Thornhill is abducted by henchmen and taken to spy
Philip Vandamm. He is convinced that Roger is an undercover agent. They then
engage in a cross-country game of cat/mouse, when a cool blonde enters into the
mix of this smart suspense thriller. The deeper Roger gets entangled into this
espionage web, the more he realizes there’s a thin line between the good guys
and bad guys.
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| Alfred Hitchcock, master of suspense AND master showman, promoting 'NBNW.' |
North by Northwest was Hitch's double whammy with the plot device
he called the “MacGuffin.” This was an inconsequential object of a story that
sets everything in motion. While the MacGuffin here is microfilm hidden in an
antique, I think that George Caplan, a non-existent person who Cary Grant's ad
man is mistaken for, is the real MacGuffin here.
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The microfilm revealed late in 'NBNW' may be the official 'MacGuffin,' but for me,
Grant's Roger Thornhill mistaken for George Caplan is the REAL MacGuffin! |
NBNW is the epitome of a mid-century movie: sophisticated yet
totally entertaining; a clever plot and plenty of action; sexy yet classy; a
star and director's vehicle. North by Northwest’s story takes the
audience across the much of the United States, from NYC to Mount Rushmore. This
suspense film is what summer blockbusters call a "thrill ride." Unlike
many modern versions, North by Northwest
was meticulously thought out and filmed, with director Hitchcock at his height
of storytelling talents.
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| Cary Grant, the essence of movie star cool, and IMO, Hitchcock's best movie hero. |
Roger Thornhill was Cary
Grant's last great role, though he appeared in several more popular movies
before making a graceful film farewell in 1966. At 55, Cary looks like a
million and deserved every cent he demanded. Perhaps the healthiest and
best-preserved male movie star of his generation, Grant is stylish, sexy, fit,
graceful, and charming—a total catch for any leading lady. Also, Cary’s droll
humor is also on full display. Though his role resembles the government agent
he played for Hitch over a dozen years earlier in Notorious, Cary is less moody here. Grant is great with a funny
line, whether broad or sly, and his body language is fantastic, when playing
drunk or playing the fool at an art auction. North by Northwest also demonstrates that had he been a decade or
so younger, what a great James Bond he would have made in the coming decade.
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| At 55, Cary Grant is still in fine form, and aged better than any of his fellow male stars. |
I’ll recap that Eva
brought her acting talent and sly sex appeal to the role of Eve. Saint had a
great rapport with Grant and Alfred Hitchcock. I’m always a bit puzzled why
Hitch didn’t use Eva Marie Saint again, in some of his ‘60s films.
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| Cary Grant & James Mason as hero & villain: Mason's persona makes me think of a dark side version of Grant. |
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| "You have to choose ONE of us, Mister!" Martin Landau, James Mason's "loyal" henchman. |
James Mason, who I
always thought of as a mortal version of Cary Grant, is a wonderful villain in North by Northwest. Silky would be the cliché
adjective to describe his Phillip Vandamm, but damn, Mason is silky and sexy. He's
intelligent yet intimidating, charming yet creepy, cool but with an underlying
attitude of sadness—an update of Claude Rains’ cuckold character in Notorious. It's a great role for James
Mason and his ambiguous attitude toward Eve and henchman Leonard is
fascinating. Martin Landau, tall and ominous—a handsome Lurch—those glaring ice
blue eyes, is smartly sinister as Leonard. His attitude toward Eve and a few
key lines makes it very apparent that Leonard is not just a villain, but also
just a jealous guy, as John Lennon once sang.
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Left: Jessie Royce Landis, amusing as Grant's exasperated mother, asking these thugs
if they're really trying to kill her son! |
A fine supporting cast
goes far in making North by Northwest
a smooth ride: Jessie Royce Landis as Grant’s mother; Leo G. Carroll, as the
FBI “good guy;” Josephine Hutchinson as “Mrs. Townsend;” and Philip Ober as
Lester Townsend; Ernest Anderson as the train porter, and Ned Glass as the
station ticket master who’s on to Grant are welcome familiar faces.
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| Eye-catching Saul Bass titles & Bernard Herrmann's score get 'NBNW' off to a rousing start! |
Ernest Lehman wrote
one of the wittiest Hitchcock screenplays ever in NBNW. The classic opening credits by Saul Bass, paid homage to in Mad Men, still stuns on each viewing. The
energetic and slightly exotic score by Bernard Herrmann is one of his best. One
of Hitchcock’s favorite cinematographers, Robert Burks was up to the challenge
of framing the thrilling set pieces. Perhaps that’s why Burks shot 12 films for
Hitchcock. And for a ‘50s movie, the Mount Rushmore mock ups look pretty damn good.
Hitch's love of rear projection, matte work, and actual location shooting is
mixed just about perfectly in NBNW.
There’s the villain’s
heavenly hideout home, even though it’s just a set and a mural/miniature. How
amusing that Hitchcock has the villain live in a Frank Lloyd Wright-esque house
that’s located next door to Mount Rushmore—totally inconspicuous, right?
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Where else would a spy's hideout be located, but in a Frank Lloyd Wright-style mansion
next door to Mount Rushmore? Talk about hiding in plain sight! |
At 2 ¼ hours, my one
“nay” about North by Northwest is
that it’s a tad overlong. Studio era movies could be deliberate in their storytelling
set up, especially to today’s attention span deprived eyes. And this was
especially true of Hitch. I recall at a retrospective showing of Rear Window, there were signs of
audience restlessness during the opening scenes. In NBNW, Roger Thornhill’s kidnapping, induced drinking, drunken car
ride, and subsequent arrest could be much shorter. Drunk scenes for laughs
don’t play well today, and it doesn’t advance the movie much, except to show
Grant’s comedic skills, and Hitch’s sometimes heavy-handed humor. By contrast,
the near-silent crop duster scene hasn’t a wasted moment.
As with Alfred Hitchcock’s
work, North by Northwest can be
enjoyed multiple times. There are so many layers to Hitch’s storytelling and he
utilizes all the top notch production elements to the fullest. NBNW is a film journey I love to
re-visit.
FYI: I put all the movie overflow on my public FB movie
page.
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| This Julius Kroll promotional caricature captures all the elements of Hitchcock's 'NBNW.' |
