Saturday, September 17, 2016

Performances Make 'Peyton Place' Worth a Visit 1957


"Peyton Place" became the password for small town gossip and scandal. In the 1957
 film version, Lana Turner & Diane Varsi play the problematic mother & daughter.



Peyton Place was forever equated with small town scandal the moment Grace Metalious’ novel was published September 24, 1956. Peyton Place was an instant sensation and huge bestseller, eventually selling 12 million copies. A year later, the film version of Peyton Place was released, and audiences were dying to know if the movie was half as steamy as the book.

An estimated 1 in 29 people had read 
"Peyton Place"at the height of its popularity.
In truth, Peyton Place the movie was about half as steamy, but that was still mighty hot for 1957. On a recent re-viewing of Peyton Place, I was amazed at how much did make it onscreen. Particularly, the rape of Selena Cross by her alcoholic stepfather—it is subtle, but still powerful. And the big showdown between uptight mother Constance MacKenzie and angst-ridden daughter Allison doesn’t water down the fact that Connie was not a widow, but a mistress. Though the screenplay toned down or tweaked certain plot points, as when Betty Anderson’s method of cock-blocking Rodney Harrington becomes verbal rather than literal, or how Selena’s abortion becomes a miscarriage—they are diluted, but not deleted. Audiences already read the book and were movie-wise to censorship substitutions, with the original action burned in their dirty minds. The film version still pushed the envelope, but had its eye on the Oscar envelope, which rewarded “good” films, not trash—at least in theory!

Off-screen, Lana Turner wasn't exactly a wallflower!
Jerry Wald was a pistol of a producer, who gravitated toward material and stars that generated class or cash, preferably both. Wald had created the sizzle in casting Joan Crawford as a mother in her Oscar-winning Mildred Pierce comeback. When he snapped up film rights to Peyton Place over a decade later, he talked another former MGM star into playing a mother with a problem daughter: 36-year-old Lana Turner. 20th Century Fox preferred Olivia de Havilland or Jane Wyman as Constance MacKenzie, the small town shop owner with a secret past. Both actresses were Oscar winners, certainly better actresses than Lana, and a bit closer to the character’s age. At this point, Lana’s public began to prefer reading about her romances, marriages, and divorces rather than paying to see her perform onscreen. 

Lana Turner as upright and uptight Constance MacKenzie in "Peyton Place."
But Jerry Wald was canny about casting and publicity. First, Wald knew that everyone loves a comeback.  Like Crawford before playing Mildred Pierce, Turner hadn’t had a hit several years, since The Bad and the Beautiful—which was also a comeback! Plus, the public and the press would eat up the scoop that love goddess Lana was playing a mother for the first time. So what if Lana had a teenage daughter in real life, one who would make headlines of her own shortly after Peyton Place’s release. Mother roles were considered the last hurrah for Hollywood glamour girls. But this wasn’t just any maternal role, this was Constance, a hot mama underneath the cool demeanor. Wald figured that audiences, who often equated stars with the character they played, would use movie short-hand in filling in the blanks of what was suggested on-screen with Lana’s own scandalous off-screen behavior.

Welcome to Peyton Place! Lee Phillips as Michael Rossi,
the one uninspired performance in the movie.
Wald also used a popular method of casting in mid-century movies, when audiences young and old were now watching television at home, to attract both audiences. Lana Turner was still very much a star and Wald backed her up with veteran character actors like Lloyd Nolan, Arthur Kennedy, Betty Field, Leon Ames, Lorne Greene, and Mildred Dunnock. But the producer also cast up-and-coming young stars like Hope Lange, Russ Tamblyn, and David Nelson in featured roles. Wald also chose an unknown Diane Varsi to play Constance’s dreamer daughter, Allison. At 18, Varsi was certainly a more forward-thinking choice for the role than Debbie Reynolds, who was considered—and six years older.

L: Lloyd Nolan as no-nonsense Doc Swain, telling some tough truth to the people of Peyton Place!
As often the case with all-star movies, it’s the old pros who steal the show: Nolan, as plain-spoken Doc Swain; Kennedy as despicable drunk Lucas Cross; Field as rightly depressed Nellie Cross; Leon Ames as the blowhard bigshot; Lorne Greene as the fiery D.A.; and Mildred Dunnock as the passed-over teacher. These veterans are terrific troupers here.

Diane Varsi & Russ Tamblyn as shy kids Allison & Norman.
The young folk of Peyton Place are a mixed bag. Diane Varsi’s awkwardness actually works as Allison, the teen who dreams of writing a novel—about guess what? Russ Tamblyn as Norman Page, her comrade in shyness, gives a genuinely excellent performance. And Hope Lange is heartbreaking as Selena Cross, the sad girl from the wrong side of the tracks. But the others, like David Nelson of Ozzie and Harriet, are bland. And at 28, Terry Moore comes across like an aging starlet than a high school age fast girl, Betty Anderson.

Constance gets her comeuppance from daughter Allison. Lana Turner's best moment.
Last but not least, there’s Lana. For her role as Constance MacKenzie, Turner received her first and only Oscar nomination. Though Lana’s role was not the showcase that was Crawford’s Mildred Pierce, Turner gives it her MGM best, suffering and insinuating, with chin tilted and eyebrows arched to the heavens. It’s easy to laugh at acting styles from another era, but Lana has a number of genuinely effective scenes in Peyton Place. The scene where the new man in town puts the moves on near-frigid Connie, Turner’s reaction of disgust rings surprisingly true, considering the real Lana was quite hotsy-totsy. Another authentic moment is after an argument with Allison, who throws her mother’s past in her face, which ends with Lana leaving the room. Grandly walking down the stairs in despair, Turner crumples on the steps, sobbing in semi-darkness, gasping, “Oh, God!” It is a genuinely great bit of acting by Lana. And of course, Turner turns it on during the courtroom scene, during the trial of Selena Cross.

Turner as Constance, on the witness stand. Lana would appear in a real courtroom
 the following year!
20 Century Fox, with their widescreen Cinemascope, was the first studio to embrace location filming. Peyton Place exteriors were filmed mostly in Camden, Maine and a few other New England locations. The panoramic locales against Franz Waxman’s memorable score rather romanticized Grace Metalious’ seamy small town. This irritated the author, though she liked the performances from the cast.
The Cross family's subplot in 'Peyton Place,' the toned down, is still a shocker.

The greatest task for solid studio director Mark Robson and his screenwriters was to “clean up” the scandalous story for the silver screen. This was Hollywood hypocrisy at its best: Let’s buy a salacious book, turn it into a whitewashed movie, and then promote it as shocking!

28-year-old Terry Moore is less than believable as hot teenager Betty Anderson.
The critics condescendingly praised the “classy” screen version of Peyton Place as a vast improvement over the “dirty” book. Yet a few critics at the time called the adaptation sanitized or antiseptic. The truth falls somewhere in the middle: Peyton Place was run through the Hollywood Hayes Code whitewash cycle, though it managed to keep key events intact. There was no way in 1957 that the movie could have depicted the book’s dirt intact. Metalious may have disliked her book’s adaptation, but then, the depressed author didn’t like much of anything. Peyton Place was one of the year’s top-grossing films and received nine Oscar nominations—though it won none.

Finally, Peyton Place was still playing in theaters when Lana Turner’s latest boyfriend, gangster Johnny Stompanato, was fatally stabbed by her daughter, Cheryl. The details that flowed after the murder made Peyton Place look like a small-town picnic. When Lana was going through her real trial the following year, some audience members were heard to call out their support to Turner as she testified onscreen in Peyton Place.


Blood, sweat, & tears: Lana at the inquest over the stabbing death of gangster boytoy Johnny Stompanato.
After her latest scandal, Lana was forced to, yes, make another comeback! Turner took a small salary against a huge potential share of the profits and starred in a film even soapier than Peyton Place. 1959’s Imitation of Life was one of the biggest hits of Lana’s career, making a fortune, and extending her career as a leading lady for nearly another decade. And that’s about as happy of a Hollywood ending that Lana Turner ever got in her long career.
After the Johnny Stompanato scandal, Lana would get the call for another comeback opportunity. This time it would be from producer Ross Hunter, for 'Imitation of Life.'

FYI: I put all the movie overflow on my public FB  movie page. 

11 comments:

  1. I love when Miss Pent-Up Prim Lana Turner comes home and finds that Varsi's birthday party has turned into a petting session! LOL I completely agree about Lee Philips as her new love interest. He's such a milquetoast in the movie, but in the book he was one of THE most hot-blooded and sexy characters, an Italian IIRC. If they couldn't make the role in that vein, they still ought to have cast it with someone who had a healthy dose of sex threat so that the audience could at least imagine it...

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  2. Oh I love this movie! Drama both on and off screen. I have the book but never got around to reading it. Grace Metalious blowing the lid off her own home town and thinking by changing location and names no one would know! lol! Grace herself went on to lead a destructive life when it came out. But so many good actors in this movie. Arthur Kennedy who gives a terrific drunk performance. Love the scene when he's cleaning up the classroom and vents to the teacher played by Mildred Dunnock. Betty Field a wonderful actress whose talents were never truly recognized, Lloyd Nolan the voice of reason in this movie and no nonsense doc. Good scene when he covers up for Selena after her miscarriage you rooted for him all the way. A young Hope Lange who did a good job as Selena. Russ Tamblyn! He did so much work 50's and 60's. So talented. Terry Moore played the school vixen well except she looked more college age than high school! Even Leon Ames playing the strict and controlling father couldn't keep his son played by Barry Coe away from her. Newcomer Diane Varsi was a perfect Allison. Sadly she died young at 53 from Lyme disease. I don't think she cared much for Hollywood. I saved the best for last -- Lana Turner. Only 38 but looked more like 48 (they say she aged fast from living hard) . Still beautiful though in my opinion and did a good job as the Mom. The "reel" courtroom scene gave her practice for her "real" courtroom scene later on. Poor Lana got herself stuck in a bad situation with Stompanato. He was furious with her because she would not take him with her to The Academy Awards! For real?? Lana wasn't that stupid. It would be like taking Joe Guidice from The Jersey Housewives.

    Clunkers I agree casting Lee Philips who had as much appeal, charisma and acting talent as Kris Kristofferson had in A Star is Born. Too bad John Garfield wasn't alive. Now that guy sizzled and paired with Lana it would have been a terrific reunion since Postman. Beautiful score by Franz Waxman I have the cd. Years later when it came on TV I would be going to sleep hearing the opening credits while my Mom would watch. Long before there was Melrose Place, Dynasty and reality shows there was Peyton Place..........

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    1. The book is actually a good read! Somebody out to make a movie about Grace and the writing of Peyton Place... Isn't Mildred Dunnock wonderful? In MY Peyton Place, we had a drunken janitor who did creepy stuff growing up, LOL!Love your comments, and they are especially apt here! Cheers, Rick

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    2. I will put it on my reading list. The movie about Grace would be a good one. Who would you cast? I would go with Melissa McCarthey as Grace. I think she could give the character sass that Grace seemed to have. Yes Mildred Dunnock was wonderful along with Betty Field and Arthur Kennedy. Betty Field when younger was a very pretty actress. From time to time I'll watch the movie. I have a dvd set of the TV show although it doesn't have all the seasons available. Keep up the good work Rick! You do an awesome job reviewing!

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    3. Hi, I remember awhile back Sandra Bullock wanted to play her and nothing came of it. Not good casting. I think Melissa McCarthy could be quite good. I read a bio on Grace, quite sad. And her story relevant to today's instant fame game. Those great character actors are the rock of Peyton Place, aren't they? I love them all.
      My, latest review, for A Summer Place, certainly borrowed some elements!
      Cheers, Rick

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    4. X-nay on Bullock. A good actress but perhaps not right for the part. I've read bio articles on Grace and yes it was very sad. I don't think she knew how to handle all the attention and definitely not the money. Yes I agree that the character actors are the unsung heroes in the movie. I will head on over to A Summer Place and read your review which I know will be fantastic and entertaining as always! PLEASE watch and review Susan Slade starring Connie Stevens and Troy Donahue. It is right up your alley! Dated, corny and unimaginable today but it's a fun watch. I especially love the music score.

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  3. Every time Lee Phillips opened his mouth and that high-pitched voice came out, I gigggled...

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    1. Hi, it sounded like he had a clothes pin on his nose! I'm surprised the studio didn't pay for voice lessons! Cheers, Rick

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    2. I saw the film almost 20 years ago for a film class, and did my final paper on it. A true classic.

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    3. That's awesome Lollipop! Check out my blog for an essay comparing the "Peyton Place" author with Jackie Susann and "Valley of the Dolls."
      Cheers, Rick

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  4. Excellent post Rick

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