'A Face in the Crowd' came out in '57, with Andy Griffith as southern singing idol Lonesome Rhodes, a nod to Elvis! |
Media
pundits have had a field day over Lonesome Rhodes, from 1957’s A Face in the Crowd, claiming the
charismatic creep “predicted” the rise of Donald Trump. Even religious right
columnist Cal Thomas tagged Trump as Rhodes, the rags-to-riches character of Elia
Kazan’s prophetic film. Yet one columnist scoffed that a more apt comparison
would be of Trump to Orson Welles’ Citizen
Kane—and meant it as a compliment!
Welles’ 1941 epic, Citizen Kane, is about a rich
blowhard who pushes his luck with the public, and sends his empire tumbling.
Like Rhodes, Kane pays the price for hubris. Kazan’s A Face in the Crowd and Welles’ Citizen Kane were tough movies that questioned the triangular
love-hate relationship between the media, public figures, and their audience.
Andy Griffith, loathsome as Lonesome Rhodes: boob on the tube, audiences eat it up! |
A Face in the Crowd
was made in 1957, when film censorship and ‘50s conformity was past its zenith,
but still in power. Still, the film is gritty, unglamorous, realistic, and
packs a punch. Director Elia Kazan employs a sharp visual look but discards the
glossy movie style of the era: A Face in
the Crowd’s characters look sweaty, rumpled, harried, and human. Andy
Griffith is eerily good, both loathsome and riveting as Lonesome, the country
crooner turned super-celebrity. Patricia Neal does world weary perfectly, yet
is also vulnerable as Marcia, the reporter who falls for Rhodes’ slick charm.
Walter Matthau shows his dramatic side as a cynical reporter who carries the
torch for Neal. And Lee Remick, in her film debut, is luminous and funny as
Rhodes’ majorette bride.
Lee Remick, a majorette who thinks Lonesome is a dream, & finds out he's a nightmare. |
The
only letdown perhaps is when Lonesome loses his TV throne/bully pulpit after a
hot mike exposes the real Rhodes on network television. Censorship of the day
demanded characters pay for their sins. Today, we see inflammatory remarks,
boorish behavior, and scandal rewarded with TV shows, book deals, and yes,
public office.
Both
A Face in the Crowd and Citizen Kane got rave reviews but were
box office flops. Movies in Hollywood’s golden era were typically escapist fare
and audiences didn’t flock to see grim dramas. Post-Watergate cynicism made
Sidney Lumet’s Network possible as a
black comedy hit, with its dire message about power, politics, and television. Network, which came out nearly two
decades after A Face in the Crowd,
takes washed-up TV anchor Howard Beale from a nervous breakdown on the air to a
megalomaniacal media messiah.
Even worldly-wise reporters Walter Matthau & Patricia Neal can't look away! |
A Face
in the Crowd is an in-depth look at the impact that television has on the
masses—both positive and negative. Lightening bolts like Elvis and The Beatles
made their mark on pop culture when they appeared on American television. So did
political phenom Joseph McCarthy, when he found himself on the other side of an
investigative committee, and went down in flames on live TV. Yet, fellow
Republican Richard Nixon managed to warm the public’s heart once, when he gave
his infamous “Checkers” speech in the 1952. The public later cooled toward
Nixon in the early ‘60s, with his shifty, sweaty looks next to all-American
John Kennedy, during their presidential debates. His infamous losing comment
didn’t help his image: “You won’t have Dick Nixon to kick around.” In the ‘70s,
President Nixon sealed his Tricky Dick persona with the “I am not a crook”
speech…which was later followed by his resignation speech!
Citizen Kane,
A Face in the Crowd, and Network took a hard look at how far the
media would go to manipulate the masses. Now you can add the internet to the
mix. In their time, these films were a therapeutic slap in the face to
audiences, to wake up from their complacency and naiveté.
Applause whets the appetite of celebrity consumers. |
Here’s
the difference in today’s world: We live in an age where just about any small-town
person is media-wise. The change started with cable TV and later, the Internet,
providing a world-wide platform for anyone with something to sell—a product, a
personality, or a point of view. We have been the consumers, sitting in front
of massive TV screens and computers, laptops, tablets, and cell phones. There’s
been an escalating Tower of Babel built by “personalities,” pundits, and
politicians. They are all vying for our favor, with louder voices, bigger
promises, and no regard for the truth.
The
problem is many of us want to believe the lies, despite the mass of information
at our fingertips. Now, people have always preferred comforting lies to painful
truths—that’s human nature. But now, we rationalize bad behavior, wallow in
conspiracy theories, and defend to the death negative news that fits our world view—no
matter what. Before, it was a matter of exposing lies to an unsuspecting
public—Watergate, for example. Now, it seems hardly anyone cares. On a recent This American Life broadcast, Ira Glass
addressed this trend in “Lies Become the Truth.” After recounting some recent
political dust-ups where mud was flung, Glass noted, “It’s easier than ever to
check if the fact is true, but the facts matters less than ever…”
The real "face" of celebrity isn't always pretty. |
Is
it because we want to cling to old beliefs, even though, deep down we know they
don’t work anymore? Is it because it takes too much time to sift through the
vast amounts of information out there, in our limited attention span era? Is it
because we prefer to feed on a newsfeed that’s exclusively scandal over
substance? Or is it all of the above?
The
tune of a Lonesome Rhodes, Citizen Kane, and Howard Beale never really changes,
nor do those of real-life demagogues like Huey Long, Joseph McCarthy, Richard
Nixon, Donald Trump, or any of the loudmouths on MSNBC, CNN, or FOX News.
Only the face in the crowd changes, but the song remains the same. It is us who have changed. Too many people are willing to overlook the deep flaws of their idols, as long as they can continue to believe the false message.
What politicians still count on today... |
FYI: I put all the movie overflow on my public FB movie page.
Check it out & join! https://www.facebook.com/groups/178488909366865/
Sound commentary!
ReplyDeleteThis commentary hit it right on the head.
ReplyDelete