Sunday, January 2, 2022

Bette VS Miriam: “Old Acquaintance” 1943

 

Bette Davis & Miriam Hopkins toast each other at the end of "Old Acquaintance." 
AFTER their two hour acting bout!


I never saw 1943’s Old Acquaintance until I wrote this essay—gasp!—but have caught the famous shakedown scene between sparring stars Bette Davis and Miriam Hopkins. I tend to gravitate toward Davis in her “bad Bette” roles and this movie seemed soapy and sappy. The WB film was based on the Broadway hit by John Van Druten, famed for smart stage comedies, so I was pleasantly surprised. 

The famous moment from "Old Acquaintance." Bette shakes Miriam like a Polaroid camera!

Old Acquaintance takes place over a near two decades in the rocky course of Kit Marlowe and Millie Drake's friendship. Davis’ Kit is a smart, no-nonsense writer of critically acclaimed but commercially-challenged books. Hopkins’ Millie, an indulged young wife, is forever competitive with Kit. With her bestie’s help, Millie wants to be a published author, too. However, the silly but steel-willed Millie wants to write commercial crowd-pleasers, and eventually succeeds.

Miriam Hopkins & Bette Davis as life-long friends & rivals in "Old Acquaintance."

Over the years, Kit becomes close to Millie's husband Preston, and daughter Deirdre, which becomes a bone of contention. Millie manages to wreck her marriage all by herself, yet has no problem in trying to pin the blame on Kit. In the final act, Millie's husband plans to remarry, her daughter is a grown woman, and Kit has a younger beau. All comes to a head when Millie discovers Preston professed his love to Kit, and daughter Deirdre is in love with Kit's young man. 

The roles of Kit and Millie offer a field day for Bette Davis and Miriam Hopkins. The stars were re-teamed for Old Acquaintance after their 1938 hit, The Old Maid. Once again, Bette is the subdued, more sympathetic one, and Miriam is the glamorous gadfly. Interestingly, these two movies were the biggest hits from Miriam Hopkins' leading lady days. Hopkins has a ball as the high-strung trash novel writer. Miriam’s performance as a comic bitch is much more on-target than Candice Bergen's hit-and-miss performance in the remake, Rich and Famous. Miriam’s kinetic energy is funny, yet fearsome. Hopkins, a bigger star during the first half of the ‘30s, was also six years older than Davis, but now Bette was the bigger star. However, Hopkins more than held her own in Old Acquaintance!

Art imitating life? Miriam Hopkins & Bette Davis dig deep into their psyches to play frenemies! 

As for Bette Davis, I particularly enjoyed her relaxed performance as Kit in the character’s younger years. An idealized portrait of the Davis persona, Kit is wryly humorous, smart, straightforward, and sympathetic. Davis plays with restraint against Hopkins' dervish of a diva. This works for the movie and their performances.

Bette Davis as young Kit Marlowe in "Old Acquaintance." If that name sounds familiar, it's because that's what Columbia's Harry Cohn wanted to name Kim Novak!

While Bette has great moments as the 40-something Kit, Davis turns rather first lady-ish, as critic James Agee noted of her later WB performances. Bette snaps her lines as crisply as when Margo Channing chomps that celery stick in All About Eve. Also, why would sensible Kit slather on more makeup and sport a candy cane-style silver streak in her hair? Still, Bette has some stellar scenes, as when Kit and the young beau are at cross purposes regarding marriage. Davis’ finale with Hopkins, as they toast each other in friendship, is genuinely satisfying. Some critics carped as to why these two women were friends in the first place. Well, I've had some unlikely friendships that I've sometimes questioned, too!

Shellacking Bette Davis with makeup and a silver streak seems out of
character for the older Kit Marlowe. With Gig Young.

I found Old Acquaintance's story surprisingly adult for the era, with some great lines, and plot turns. The one major beef I have is with the last act. I realize older movies and plays had conventions that were less than realistic. But Old Acquaintance has one that’s just illogical: Kit puts off younger beau Rudd's marriage proposal. Rejected, he immediately is charmed by Deirdre, who he has just called a spoiled brat. They now instantly fall in love. Beau goes back to Kit, to tell her he will now marry Deirdre. And the young woman is hurt when she finds out Rudd had planned to marry Kit. If the former romance was a secret, I missed that plot point! If this had been presented gradually, it would be more believable. 

Though Kit acts as a surrogate mother toward Dolores Moran's Dierdre, she later is shocked that Gig Young's Rudd was romancing Bette's writer. John Loder at left.

John Loder as Preston Drake is solid if not exciting; Delores Moran is decent as daughter Diedre, but I can see why her career didn't go anywhere. Anne Revere has a delicious bit as a sharp reporter. I was shocked to find that Kit’s handsome young beau was Gig Young. Just five years younger than Davis, Young is impossibly youthful and gorgeous; a far cry from his later craggy good looks that were marred by alcoholism.

Gig Young was always distinguished, but I had no idea he was so handsome.

Vincent Sherman does another good job with a "woman's picture" as they were once called. He keeps the episodic story moving and stylish, to boot. Sherman keeps the ladies from chewing the scenery. I'm sure the WB director had his work cut out for him, as this was Bette and Miriam’s acting bout all the way.

Bette Davis & Miriam Hopkins feud was thus publicized on their first film, "The Old Maid!"

Old Acquaintance is far superior to the dreary remake, 1981’s Rich and Famous. Star and producer Jacqueline Bisset opted for the Davis role, with Candice Bergen cast as the crass pulp writer. While Bisset is a subtle actress and Candice has a flair for comedy, their remake felt even more old-fashioned than the original, despite the sex scenes. Bisset's writer isn't just serious, but morose through much of the movie. While Candice is often fun as the catty rival, Pauline Kael rightly pegged Bergen as giving a drag queen performance and that Bisset's character is more of a gay male fantasy. I thought this watching Rich and Famous because it reminded me of criticism about Sex and the City. Perhaps this is because gay men were at the helm of the respective productions?

All eyes back on Old Acquaintance: If you want to watch a stylish comedy-drama, with two great stars creating sparks, Old Acquaintance is a great match. 

 

FYI: I put all the movie overflow on my public FB  movie page. 

Check it out & join!  https://www.facebook.com/groups/178488909366865/

 

Bette as older Kit in "Old Acquaintance." Off-screen, Davis was working to form
the Stage Door Canteen, to benefit WWII troops.

8 comments:

  1. I saw that Old Acquaintance was just on Turner Classic Movies and longed to see it again. Thanks for blogging about it, Rick, it is indeed far superior to the soapy remake George Cukor directed in 1981. Bette Davis and Miriam Hopkins met working in Cukor's repertory theater company when Hopkins was the star and Davis the ingenue, so they already had a history by the time they made this film.

    Miriam Hopkins originated the role of Julie Marsden in the Broadway production of Jezebel in 1933, a role that won Bette Davis her second Oscar for the 1938 film. Davis also allegedly slept with Hopkins's third husband, director Anatole Litvak, whom Hopkins was divorcing during the filming of The Old Maid in 1939. No wonder there were fireworks on the set of Old Acquaintance, and it wasn't all in the script!

    Yet Davis spoke admiringly of Hopkins in her later years and with good reason. Although many people today have forgotten Miriam Hopkins, she was an interesting actress with a wide range and was quite captivating on screen, particularly in her pre-Code pictures and in her Oscar nominated performance as the titular Becky Sharp.

    Gig Young was indeed a dish way back when, although I will always remember his sad fate being splashed on the cover of The New York Post when he died.

    Thanks for highlighting this 1940s era women's film, when the studios were full of accomplished actresses who were perfectly cast in juicy parts and served the story with elan.

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    1. Great comments, Victor G! I'm trying to keep my posts to around 1,000 words these days, so I focus on a couple of key/or less known points. So thanks for offering additional info the blog readers here. Bette even spoke well of Miriam's talent and beauty in her memoirs, but that her trickster ways on the set were exasperating.
      And thanks for the kind words, Cheers, Rick

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  2. I love this movie (love "The Old Maid," too!) Bette somehow seemed to crackle beautifully when paired with other women. Like Mary Astor in "The Great Lie" and, needless to say, Joan Crawford in "What Ever Happened to Baby Jane?" I also love her demure contrast with the fire-breathing Barbara O'Neill in "All This and Heaven Too." I was wondering at first if you were going to pick up on Gig Young's looks...! The same thing happened to me when I first viewed "The Woman in White." I couldn't believe this gorgeous hunk was the same man from "They Shoot Horses Don't They?"...!! I recommend that movie, too, for it's engrossing - even if campy - appeal. What a cast of character actors (and a very beautiful Eleanor Parker.) Thanks!

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    1. Hey Poseidon, always love hearing from you. And yes, I actually had to look through the IMDB credits to see if I missed Gig, who was impossibly young and gorgeous. Even in the '50s, while still handsome, the drink and smokes were starting to show on his face. Sad!
      And yes, Davis lamented she was seldom cast opposite strong leading men, but she sure made up for it with female stars!
      Happy New Year!
      Rick

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  3. It seemed soapy and sappy because of Miriam Hopkins. She was God-awful in this film. Davis was nuanced and classy, and delivered her lines like a human being. Hopkins was ridiculous and annoying. Not her character—HER. By the time Bette Davis shakes her, you’re dying to do it yourself.

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    1. I can see your point, but Candice Bergen was even worse in the remake, "Rich and Famous." Cheers, Rick

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  4. Anonymous, as a film critic, you have no future. Your salvo against Miriam Hopkins, without giving a single substantiation for your completely off-base critique, is absurd as well as uncalled-for. Don't quit your day job.

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    1. Hi Rafe, I thought Miriam played a difficult character very well. Cheers, Rick

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