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Clark Gable & Claudette Colbert on the road to romance: "It Happened One Night." |
A year after its
release, 1934’s It Happened One Night
swept the Oscars on February 27, 1935—Best Picture, Director, Actor, Actress,
and Writer—a feat seldom duplicated. As of January 1, 2025, at age 65, I had
never seen this classic, except for clips. I then watched Night twice and these are my takeaways.
The big surprise for
me was that I thought It Happened One
Night was a straight up comedy, but it's really a humorous but heartfelt
slice of life during America’s Depression era. The runaway bride is a screwball
comedy staple, for sure. Yet it’s more about the rich girl, Ellie Andrews, rubbing
elbows with everyday people, like fired reporter Peter Warne. Night then becomes a romantic “road”
movie, as well.
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"It Happened One Night" was made on a modest budget but became a popular hit. |
There are some famous comedic
moments: The society girl jumping off the family yacht, the motel blanket “walls
of Jericho,” the girl hitching her skirt to hitch a ride, and the bride bolting
from the altar. But there really aren't any hilarious lines and the scenes that
I just mentioned brought a smile to my face, but no outright chuckles—and I
have a good sense of humor.
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The walls of Jericho provide a blanket of privacy in 1934's "It Happened One Night." |
Considered one of the
big screwball comedies, It Happened One
Night was directed by Frank Capra, who directed a few, like You Can’t Take It with You and Arsenic and Old Lace. Frankly, I don’t
find It Happened One Night a
“screwball” type comedy—not like the antic My
Man Godfrey or Bringing Up Baby.
There are elements, but they’re pretty mild, not wild. Also, for a comedy of
this era, it’s a bit leisurely at an hour and forty five minutes. Twentieth Century, My Man Godfrey, and Nothing
Sacred all clocked in at around 90 minutes.
Many have noted that It Happened One Night may be the first
rom-com, where the leads are at odds, while also attracted to one another.
What’s typical is that nearly a century later it’s still almost always the woman who’s the flake or a spoiled brat who
needs to be taken down a notch or two, and the strong man who just softens up
with love. One of the few times that the roles were reversed was Cher and
Nicolas Cage in Moonstruck—though I’m
sure there have been others.
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Director Frank Capra with stars Clark Gable & Claudette Colbert. |
Clark Gable and
Claudette Colbert were in their first flush of stardom by 1934. Both proved
adept at comedic acting here, and already played romantic and serious roles. It Happened One Night was by turns a
comedy, a romance, and with some dramatic moments. Clark and Claudette were
triple threats in this classic.
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Claudette Colbert as the bride about to bolt, with father Walter Connolly, in 1934's "It Happened One Night." |
Claudette Colbert,
with her crescent moon eyebrows and Betty Boop makeup, is the perfect comedic
doll, balanced by her natural intelligence and class. Colbert’s large,
expressive eyes, especially when she realizes she’s in love with the hard-nosed
reporter, are well-utilized by the star. Clark Gable was still a lean young
movie star in Night. While Gable’s
not so skilled in his comic drunk scenes, he’s naturalistic in his dramatic as
well as comedic scenes. The two stars play in a modern style that still makes
this movie watchable today.
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Clark Gable at his youthful peak, in 1934's "It Happened One Night." |
This is really a two
character film, Gable’s reporter and Colbert’s rich girl. There are some great
character actors who show up for one scene—Alan Hale, Sr., Ward Bond, etc.
Colbert has her irascible millionaire father (Walter Connolly), Gable has his
ornery editor (Charles C. Wilson). But they are all window dressing for the two
leads on the road to romance.
Audiences made this
movie a hit with word of mouth, perhaps because they saw themselves and their
lives depicted realistically on the screen. Also, It Happened One Night was considered risqué back in the day, and
was released before the July 1934 clamp down of the enforced censorship code
for films.
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Claudette Colbert's rich girl shows know-it-all reporter Clark Gable how to get a lift, in 1934's "It Happened One Night." |
I think this movie was
a refreshing change of pace for its time and it’s why It Happened One Night swept the Oscars that year. It's interesting
that Gable beat William Powell's first time as Nick Charles in The Thin Man, which led to a long-running
movie series. Or that Myrna Loy wasn't even nominated as Nora Charles! And that
Bette Davis was a write-in for her
career changer, Of Human Bondage.
How was it that
Claudette Colbert thought she wouldn’t win the Oscar? Her only official
competition was MGM’s perennial nominee Norma Shearer and opera singer Grace
Moore. It Happened One Night was
released with little fanfare in February 1934, to mixed-to-good notices. But by
Oscar night a year later, the sleeper comedy had become a huge hit with the
public. Colbert still departed by train for a long-overdue vacation only to be
brought back when she won, accepting her Oscar in a Travis Banton traveling
suit.
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Shirley Temple gives Claudette Colbert her Best Actress Oscar. |
The cinematography by
Joseph Walker is beautiful, this artist worked on nearly all of Capra's films.
The outdoor night scenes or the rain sparkling on the bus and motel windows,
are just exquisite. The script by Robert Riskin is bright and clever, depicting
people of all variety. And Frank Capra’s direction is warm and character-driven,
Capra at his best.
It Happened One Night has a lasting charm, with characters that
feel quite real, quite an accomplishment for a movie that happened nearly one
century ago!
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The walls of Jericho, about to come down, in 1934's "It Happened One Night." |
Here’s Clark Gable, a
quarter of a century later, playing another rough around the edges reporter,
out to get a story and the leading lady, this time Doris Day, in Teacher’s Pet. My take here: https://ricksrealreel.blogspot.com/2022/04/teachers-pet-1958.html
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Here's Clark Gable a quarter of a century later, in 1958's "Teacher's Pet." |
"accepting her Oscar in a Travis Banton traveling suit." Now there's a sentence you see every day! Thanks for the interesting take on this. Every time I would watch this I would be vaguely dissatisfied as it wasn't "funny," if you know what I mean. You nailed it -- it's just one of the most charming of studio movies. And I love the Depression-era touches: the joblessness, travel by bus, "auto camps" -- all great milestones of the period.
ReplyDeleteThanks, Joseph! I really appreciated it more, watching a second time, knowing it was a joke comedy, but humor from the situations and characters. And it is a great snapshot of the period, yet the acting and attitudes are pretty modern. Cheers, Rick
DeleteI never thought of Miss Colbert as wearing Betty Boop makeup, but now that you've mentioned it, I can't think of her any other way!! This is a fun movie to watch over and over. I'm not sure if I ever thought of it as laugh-out-loud funny, but that's true for most comedies I've enjoyed. Most of them are pleasant, easygoing and put a smile on my face. I'm always surprised when a film really makes me laugh.
ReplyDeleteI agree for the most part. Billy Wilder movies often have funny dialogue and Tootsie was a modern movie that made me laugh out loud. And 9 to 5. But there are plenty of feel good comedies that derive fun from their stories not any slapstick or one-liners. Thanks for your comments, as always!
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