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| Charming Kris Kringle (Edmund Gwenn) meets tough but cute customer Susan (Natalie Wood) in 1947's classic comedy/drama "Miracle on 34th Street." |
I only have dim memories of 1947’s
Miracle on 34th Street from childhood.
Apparently of the three channels we got back in the '70s, the station that
showed afternoon movies on TV favored It's
a Wonderful Life, at least twice a year!
While not miraculous,
there were a number of pleasant surprises watching 1947 version of Miracle on 34th Street completely for
the first time. First, it's not told strictly as a Christmas story, but as a
character-driven story. This makes Miracle
more grounded in reality and universal, and sets it apart from most Christmas-themed
movies. That’s also how 20th Century Fox studio head Darryl F.
Zanuck wanted it released, feeling that it would be otherwise pigeon-holed as a
genre movie. So, Miracle on 34th
Street was released in May, 1947. The film was a big box-office hit for the
rest of the year, and a perennial classic ever after.
There are two
interwoven stories in Miracle on 34th
Street. One is about a little girl who doesn’t believe in Santa Claus. The
other is about a man who believes that he is indeed Kris Kringle. As the two
stories become interwoven, the little girl comes to believe in Kris and Mr.
Kringle eventually prevails, in court no less, that he is indeed Santa Claus.
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| One of the most touching moments of 1947's "Miracle on 34th Street" is when the little Dutch war orphan (Marlene Lyden) wants to talk to Santa. |
Filming began in late
1946 for Miracle on 34th
Street, by director George Seaton, and post-WWII sensibilities infuse
this movie, thanks to the writers. Seaton won best screenplay writing Oscar for
his take on the story; Valentine Davies won an Oscar for his best original
story. First off, Maureen O' Hara plays divorced mother Doris Walker, which
raised censors’ eyebrows. It would have been much easier to make Doris a war
widow, right? While there were more marriages and a baby boom, there were more divorces
after WWII, too. Doris’ little girl, Susan, isn’t a sugary sweet cinema tyke, but
a bit of a tough little cookie. O’Hara’s maid is played straight and with no stereotyped
humor. When Kris Kringle befriends a shy, chubby teen named Alfred, who finds
joy in becoming Santa, I got a distinct gay vibe from this gentle loner. While Miracle could have ignored referencing
the recent war, there’s a war orphan who insists on visiting Santa at Macy’s, and
it’s one of the film’s most touching scenes. The characters feel more like real
people and not movie stereotypes.
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| Alvin Greenman as Alfred, the shy janitor who gets great joy out of playing Santa Claus, in 1947's "Miracle on 34th Street." |
Adding to the realism
was a generous amount of location shooting for the era. Miracle on 34th Street opens with Edmund Gwenn’s Kris
Kringle walking down Madison Avenue. Macy’s famous Thanksgiving Parade was
extensively shot, with Gwenn’s Santa looking right at home! There are several
scenes at the real Macy’s flagship store. Best of all, Susan’s dream home was
real, and still stands in Port Washington, Long Island.
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| Edmund Gwenn as Kris Kringle in Macy's actual 1946 Thanksgiving Parade for 1947's "Miracle on 34th Street." |
Edmund Gwenn won the Best
Supporting Actor Oscar as Kris Kringle, after his cousin Cecil Kellaway turned
it down. I’m glad, because Cecil could be very cutesy in lovable roles—see Guess Who's Coming To Dinner? Gwenn
plays with good cheer, real warmth, but also with matter of fact common
sensibility. His Kris Kringle is probably my favorite film Santa!
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| Edmund Gwenn, perfectly cast as Kris Kringle, in 1947's "Miracle on 34th Street." |
Maureen O’Hara is
lovely, intelligent, and spirited as always, so this leading lady role fits her
like a glove. She’s a working woman here, and a modern mother, too. Yet, O’Hara
softens at the prospect of saving Gwenn’s Santa by the last act. O’Hara always
holds her own in a man’s world—in this case, Macy’s!—but she never loses her
womanliness. By the end of the movie, you’re rooting for her Macy’s promoter to
merge with lawyer Payne.
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| Maureen O'Hara made a no-nonsense leading lady and looked great doing so! As Macy's events coordinator Doris Walker, in 1947's "Miracle on 34th Street." |
John Payne is lawyer/neighbor
Fred Gailey, who is attracted to Macy's event coordinator/ PR person, Doris
Walker, played by O'Hara. He gets through her little girl Susan to get to her.
These days that might seem dicey, but they were more innocent times. He's taken
by the young daughter, who has been taught to be realistic. I prefer John
Payne when he was in his young, good-natured leading man era, rather than his
later worn-out tough guy. Payne has a good rapport with young Natalie Wood and
John had played well opposite O’Hara in another crowd pleaser, Sentimental Journey. Seaton writes a fun
post-war leading man role that’s free of posturing. A guy who’s comfortable with
kids, Santa, and even puts on an apron and helps in the kitchen!
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| Maureen O'Hara's divorced mom is wise to being set up by neighbor John Payne and her own daughter, in 1947's "Miracle on the 34th Street." |
Although I adore
Natalie Wood, I never sought out her Miracle
on 34th Street. I guess I preferred her as a sensitive and
sultry adult! Much like Elizabeth Taylor, whose star-making turn, National Velvet, I’ve only seen once.
I’ve not seen much of Wood’s work as a child actress, but as the pragmatic kid
who longs for a home of her own, Nat is a standout here. Her reaction to the
war orphan talking to Santa in Dutch is so intensely expressive. Wood works
well with the three adult stars and she more than holds her own—in fact, she’s
quite the scene-stealer!
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| Natalie Wood is memorable as Susan Walker, the modern girl who doesn't believe in Santa Claus, in 1947's "Miracle on 34th Street." |
The great supporting
cast includes: Phillip Tonge as Julian Shellhammer, head of Macy’s toy
department; Porter Hall makes a great comic villain as Macy’s personal man who fancies
himself a psychiatrist; Gene Lockhart (June’s dad!) is an amusing wishy-washy
judge; William Frawley comes on in the last act as a political con man; and Jerome
Cowan’s funny as the frustrated district attorney.
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| With just one uncredited scene in 1947's "Miracle on 34th Street," Thelma Ritter scored with audiences & 20th Century Fox, and became a star character actress. |
Enjoy some familiar
faces amid the many uncredited players in Miracle
on 34th Street. The most famous is Thelma Ritter. As the harried
mother looking for the right gift for her boy, she's astounded when Santa sends
her to Gimbels. That distinctive face and voice in that one scene led her to a
contract at 20th Century Fox, where she went on to become a beloved
character actress, winning six Oscar supporting actress nominations.
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| Young Jack Albertson, right, as the postal worker who has a win-win idea, in 1947's "Miracle on 34th Street." Jack later starred in "Chico and the Man." |
That guy in the postal
mail room who gets the wise idea to send all the letters to Santa to the court
room at the climactic scene is Jack Albertson, later famed for Chico and the Man. Character actor
and acting coach Jeff Corey is one of the reporters. Future sitcom and
Disney fixture Percy Helton is Macy’s drunk Santa. The entire cast is aces, right
down to Robert Gist, as the store window dresser who gets pestered by Kris
Kringle about his arrangement of toy reindeer!
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| Natalie Wood's Susan doesn't believe Edmund Gwenn's Kris Kringle or his beard is real, in 1947's "Miracle on 34th Street." |
There have been a slew
of remakes of Miracle on 34th
Street, mostly for television. Nearly all demonstrate in their lacking of what
the original did so well. All the plastic mugging by those actresses playing
little Susan are the common flaw, showing why Natalie Wood's serious yet wryly
skeptical performance was so remarkable. The Fox TV '55 remake stars Thomas Mitchell,
beloved character actor—Scarlett's Pa! George Bailey's Uncle Billy! Here, as
Kris Kringle, Mitchell is on autopilot. MacDonald Carey is all voice, as usual,
Teresa Wright is solid but lacking O’Hara’s spark, and pinch-faced little Sandy
Descher mugs as usual.
There was a more
elaborate TV version in '59, with Ed Wynn mugging insufferably as Kris Kringle.
In the '70s, there was Sebastian Cabot—Family
Affair's Mr. French—playing Kris Kringle as truly crazy. Cabot is
stuck with stiffs like David Hartman and Jane Alexander, who look and act like
refugees from an aspirin commercial. Suzanne Davidson is completely false as
Susan. A great 70’s supporting cast plays cartoonishly, and this version has
that drab early ‘70’s look.
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| Santa Claus wins! Stick with the original and best version of "Miracle on 34th Street." |
There was one big
screen 1994 version of Miracle on 34th
Street, produced by John Hughes that was unmemorable, as well. Stick to the
more realistic and truly magical 1947 version of Miracle.
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| Little Susan Walker has a common post-WWII dream, to have a home of her own, in 1947's "Miracle on 34th Street." This home still stands today! |
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| My take on "Sitting Pretty!" |
Here’s another fine
Fox comedy with Maureen O’Hara, Sitting
Pretty. Maureen contends with Mr. Belvedere here, not Kris Kringle! My
look:
https://ricksrealreel.blogspot.com/2025/03/clifton-webbs-mr-belvedere-still.html















Although this was never a Christmas tradition when I was growing up, I've come to love this movie. It has a magical quality about it, and yet it's also down to earth and believable. That's because of the excellent actors and the way the story is constructed. It grabs at your heartstrings but doesn't overwhelm you with sentimentality. A few years ago, I sent away for as many Natalie Wood movies as I could find, both as a kid actress and an adult, and I really fell in love with her at every stage of her career. She did some remarkable things as a kid, even if she never became a household name until her teen years. So, Edmund and Cecil were cousins? I had no idea. Loved them both!! Another great review, Rick!!
ReplyDeleteHi Mike, thanks for your comments as usual. It's fun to go back and look at actors' earlier work or what made them first famous. Esp. for us baby boomers, who usually saw the great stars on TV in their later years. Cheers, Rick
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