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| Van Johnson plays a blind man who overs the kidnap plan of a child, in 1956's "23 Paces to Baker Street." |
I had never heard of 1956's 23 Paces to Baker Street, but read that it
was considered Hitchcock-esque, which always gets my attention.
This Henry Hathaway-directed film was indeed Hitch-esque,
in a good way. 23 Paces to Baker Street is the story of a blind playwright
that overhears a plot to kidnap a child, only to become a target himself. The
suspense flick has elements of Alfred Hitchcock classics Rear Window and The Man Who
Knew Too Much, and 1967’s Hitch-like Wait
Until Dark.
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| "23 Paces to Baker Street," a solid 1956 suspense film, in the Hitchcock style. |
23
Paces to Baker Street stands on its own, despite Hitchcock comparisons, derived from Philip
McDonald’s Warrant for X in1938. The popular British novelist also wrote The List of Adrian Messenger. Yet, the
film does shape the story in the Hitchcock mold. The result is a solid and
stylish suspense film.
A 20th Century Fox film in Cinemascope, 23 Paces to Baker Street is beautifully
lensed, with a fair amount of eye-catching post-war London location shooting. Milton
R. Krasner, one of Fox’s top cinematographers, does a fine job here. Henry
Hathaway, perhaps Fox's best studio director, tells the story with some style
and with a sure hand. These old pros were in the last hurrah of their studio tenure.
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| Van Johnson is a blind and bitter playwright in the 1956 mystery, "23 Paces to Baker Street." |
Van Johnson, whose stardom had peaked at this
point, was doing some latter day dramatic roles. They seemed to tap into Van’s bitter
and petulant off-camera side, as his star was fading at 40, post-MGM glory years.
It works for the role as the blinded playwright, Phillip Hannon. Van’s
acting is natural and not overdone, as he could be at times in his Metro heyday.
Phillip now uses his other senses to compensate, and hence uses his
playwright's listening skills to get a bead on the kidnappers.
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| Vera Miles got the closest to playing a glamorous Hitchcock blonde in 1956's "23 Paces to Baker Street." Note the gray suit! |
Vera Miles plays Van's ex-fiancee, Jean
Lennox, who the playwright spurned in self-pity after his accident. Vera is quite
pretty and does a good approximation of the game Hitchcock blonde, right down
to the fitted gray suits. A shame Miles’ character wasn’t as carefree as Grace
Kelly’s Lisa in Rear Window, instead
of a long-suffering ex. Miles was 26 here,
a promising starlet. As of April 2026, Vera is still with us, and turns 96 August
23!
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| Vera Miles was 26 the year "23 Paces to Baker Street" was released. |
Cecil Parker is a scene-stealer as man servant
Bob Matthews to Van’s tense playwright; Patricia Laffan (Quo
Vadis villainess) is a shady lady governess from the employment agency;
Estelle Winwood is the good egg bar maid from the pub: Natalie Norwick is
sought-after Janet Murch; and Isobel Elsom is charming fun as Lady Syrett. A excellent supporting
cast round out the various cops, bystanders, and bad guys in this tense
mystery.
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| Estelle Winwood offers fun character flavor, in "23 Paces to Baker Street." |
Once the unknown villains are on to the
playwright's being on to them, the stakes
become much higher, leading to some precarious moments for the blind man. The
scene where Van's amateur detective is lured into a condemned building is a nail
biter. The finale is very reminiscent of Audrey Hepburn's Wait Until Dark, but this movie came out a decade before, and it’s
also exciting.
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| The villain, who's been stalking the blind playwright, about to be revealed, in 1956's "23 Paces to Baker Street." |
As Van's playwright, his manservant, and
ex-girlfriend aid the police investigation, there are a few quirky surprises
along the way. Alfred
Hitchcock was so often imitated on film that the better examples are often
called "Could Have Been Hitchcock." The main difference is that the
imitations usually lack Hitch's twisted subtext. All in all, 23 Paces to Baker Street is a nifty
little nail-biter!
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| Van Johnson, the blind playwright who puts himself on the edge of danger, in 1956's "23 Paces to Baker Street." |
Rear Window remains one of Alfred Hitchcock’s best Technicolor blockbusters. My look at Rear Window here:
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| "Rear Window," 1954 |
https://ricksrealreel.blogspot.com/2017/06/hitchcocks-rear-window-still-thrills.html









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